U𝚗 𝚙𝚎𝚛𝚌𝚘𝚛𝚜𝚘 𝚊 𝚛𝚒𝚝𝚛𝚘𝚜𝚘, 𝚘𝚟𝚟𝚎𝚛𝚘 𝚟𝚎𝚛𝚜𝚘 𝚕'𝚎𝚜𝚜𝚎𝚗𝚣𝚊 𝚍𝚎𝚕𝚕𝚊 𝚌𝚘𝚖𝚙𝚘𝚜𝚒𝚣𝚒𝚘𝚗𝚎, 𝚒𝚗 𝚞𝚗𝚊 𝚍𝚒𝚖𝚎𝚗𝚜𝚒𝚘𝚗𝚎 𝚒𝚗𝚝𝚒𝚖𝚒𝚜𝚝𝚊 𝚎 𝚌𝚊𝚖𝚎𝚛𝚒𝚜𝚝𝚒𝚌𝚊. 𝙷𝚘 𝚜𝚌𝚎𝚕𝚝𝚘 𝚍𝚒 𝚎𝚜𝚙𝚛𝚒𝚖𝚎𝚛𝚖𝚒 𝚌𝚘𝚗 𝟷0 𝚌𝚘𝚖𝚙𝚘𝚜𝚒𝚣𝚒𝚘𝚗𝚒 𝚙𝚎𝚛 𝚜𝚝𝚛𝚞𝚖𝚎𝚗𝚝𝚘 𝚜𝚘𝚕𝚘 𝚌𝚘𝚗 𝚕'𝚒𝚗𝚝𝚎𝚗𝚝𝚘 𝚍𝚒 𝚙𝚘𝚝𝚎𝚛 𝚌𝚘𝚐𝚕𝚒𝚎𝚛𝚎 𝚒𝚕 𝚏𝚞𝚕𝚌𝚛𝚘 𝚍𝚎𝚕𝚕'𝚎𝚜𝚙𝚛𝚎𝚜𝚜𝚒𝚟𝚒𝚝𝚊̀, 𝚜𝚟𝚒𝚜𝚌𝚎𝚛𝚊𝚗𝚍𝚘𝚗𝚎 𝚕𝚎 𝚙𝚘𝚜𝚜𝚒𝚋𝚒𝚕𝚒𝚝𝚊̀ 𝚎𝚜𝚝𝚎𝚝𝚒𝚌𝚑𝚎, 𝚏𝚘𝚛𝚖𝚊𝚕𝚒, 𝚝𝚎𝚌𝚗𝚒𝚌𝚑𝚎 𝚎 𝚝𝚒𝚖𝚋𝚛𝚒𝚌𝚑𝚎 𝚍𝚒 𝚘𝚐𝚗𝚒 𝚜𝚝𝚛𝚞𝚖𝚎𝚗𝚝𝚘 𝚜𝚌𝚎𝚕𝚝𝚘 𝚙𝚎𝚛 𝚎𝚟𝚘𝚌𝚊𝚛𝚎 𝚞𝚗𝚊 𝚜𝚎𝚛𝚒𝚎 𝚍𝚒 𝚜𝚒𝚐𝚗𝚒𝚏𝚒𝚌𝚊𝚝𝚒 𝚎 𝚜𝚒𝚐𝚗𝚒𝚏𝚒𝚌𝚊𝚗𝚝𝚒 𝚍𝚎𝚒 𝚟𝚊𝚛𝚒 𝚝𝚎𝚖𝚒 (𝚗𝚘𝚗 𝚜𝚘𝚕𝚘 𝚖𝚞𝚜𝚒𝚌𝚊𝚕𝚒) 𝚝𝚛𝚊𝚝𝚝𝚊𝚝𝚒. 𝙻𝚊 𝚖𝚒𝚊 𝚘𝚗𝚗𝚒𝚟𝚘𝚛𝚊 𝚎 𝚌𝚘𝚜𝚝𝚊𝚗𝚝𝚎 𝚛𝚒𝚌𝚎𝚛𝚌𝚊 𝚖𝚒 𝚑𝚊 𝚜𝚎𝚖𝚙𝚛𝚎 𝚙𝚘𝚛𝚝𝚊𝚝𝚘 𝚊 𝚜𝚙𝚎𝚛𝚒𝚖𝚎𝚗𝚝𝚊𝚛𝚎 𝚒𝚗 𝚖𝚊𝚗𝚒𝚎𝚛𝚊 𝚙𝚛𝚘𝚏𝚘𝚗𝚍𝚊 𝚎 𝚚𝚞𝚊𝚜𝚒 𝚘𝚜𝚜𝚎𝚜𝚜𝚒𝚟𝚊 𝚒𝚕 𝚜𝚞𝚘𝚗𝚘 𝚒𝚗 𝚝𝚞𝚝𝚝𝚎 𝚕𝚎 𝚜𝚞𝚎 𝚙𝚒𝚞̀ 𝚜𝚟𝚊𝚛𝚒𝚊𝚝𝚎 𝚖𝚊𝚗𝚒𝚏𝚎𝚜𝚝𝚊𝚣𝚒𝚘𝚗𝚒 𝚎 𝚙𝚛𝚘𝚍𝚞𝚣𝚒𝚘𝚗𝚒, 𝚍𝚊𝚕𝚕'𝚊𝚌𝚞𝚜𝚝𝚒𝚌𝚘 𝚊𝚕𝚕'𝚎𝚕𝚎𝚝𝚝𝚛𝚒𝚌𝚘, 𝚊𝚕𝚕'𝚎𝚕𝚎𝚝𝚝𝚛𝚘𝚗𝚒𝚌𝚘 𝚌𝚘𝚗 𝚒𝚕 𝚜𝚘𝚕𝚘 𝚜𝚌𝚘𝚙𝚘 𝚍𝚒 𝚌𝚘𝚜𝚝𝚛𝚞𝚒𝚛𝚎 𝚘𝚐𝚐𝚎𝚝𝚝𝚒 𝚘 𝚖𝚎𝚐𝚕𝚒𝚘 𝚎𝚗𝚝𝚒𝚝𝚊̀ 𝚜𝚘𝚗𝚘𝚛𝚎 𝚌𝚑𝚎 𝚒𝚗𝚐𝚕𝚘𝚋𝚊𝚜𝚜𝚎𝚛𝚘 𝚒𝚕 𝚖𝚒𝚘 𝚙𝚊𝚛𝚊𝚍𝚒𝚐𝚖𝚊 𝚌𝚘𝚖𝚙𝚘𝚜𝚒𝚝𝚒𝚟𝚘. 𝙴̀ 𝚞𝚗 𝚙𝚘' 𝚝𝚞𝚝𝚝𝚘 𝚚𝚞𝚎𝚜𝚝𝚘 𝚙𝚎𝚛𝚎𝚐𝚛𝚒𝚗𝚊𝚝𝚒𝚘, 𝚞𝚗 𝚕𝚊𝚟𝚘𝚛𝚘 𝚒𝚗 𝚍𝚒𝚎𝚌𝚒 𝚙𝚊𝚛𝚝𝚒𝚝𝚞𝚛𝚎 𝚌𝚑𝚎, 𝚌𝚘𝚖𝚎 𝚝𝚊𝚜𝚜𝚎𝚕𝚕𝚒 𝚍𝚒 𝚞𝚗 𝚙𝚞𝚣𝚣𝚕𝚎 𝚙𝚛𝚘𝚟𝚊𝚗𝚘 𝚊𝚍 𝚎𝚜𝚙𝚛𝚒𝚖𝚎𝚛𝚎 𝚎 𝚊𝚍 𝚎𝚟𝚘𝚌𝚊𝚛𝚎 𝚒𝚕 𝚖𝚒𝚘 𝚙𝚎𝚗𝚜𝚒𝚎𝚛𝚘 𝚖𝚞𝚜𝚒𝚌𝚊𝚕𝚎. 𝙾𝚐𝚗𝚞𝚗𝚊 𝚍𝚎𝚕𝚕𝚎 𝚍𝚒𝚎𝚌𝚒 𝚙𝚊𝚛𝚝𝚒𝚝𝚞𝚛𝚎 𝚎̀ 𝚜𝚝𝚊𝚝𝚊 𝚌𝚘𝚖𝚙𝚘𝚜𝚝𝚊 𝚌𝚘𝚖𝚎 𝚞𝚗𝚊 𝚜𝚘𝚛𝚝𝚊 𝚍𝚒 𝚙𝚒𝚡𝚎𝚕 𝚍𝚒 𝚞𝚗’𝚒𝚖𝚖𝚊𝚐𝚒𝚗𝚎 𝚖𝚞𝚜𝚒𝚌𝚊𝚕𝚎 𝚌𝚑𝚎 𝚖𝚎𝚝𝚝𝚒 𝚊 𝚏𝚞𝚘𝚌𝚘 𝚜𝚘𝚕𝚘 𝚚𝚞𝚊𝚗𝚍𝚘 𝚝𝚎 𝚗𝚎 𝚊𝚕𝚕𝚘𝚗𝚝𝚊𝚗𝚒, 𝚖𝚎𝚝𝚊𝚏𝚘𝚛𝚒𝚌𝚊𝚖𝚎𝚗𝚝𝚎, 𝚜𝚘𝚕𝚘 𝚜𝚎 𝚕𝚊𝚜𝚌𝚒 𝚍𝚊 𝚙𝚊𝚛𝚝𝚎 𝚎 𝚚𝚞𝚒𝚗𝚍𝚒 𝚝𝚒 𝚊𝚕𝚕𝚘𝚗𝚝𝚊𝚗𝚒 𝚍𝚊 𝚘𝚐𝚗𝚒 𝚙𝚛𝚎𝚐𝚒𝚞𝚍𝚒𝚣𝚒𝚘 𝚎𝚜𝚝𝚎𝚝𝚒𝚌𝚘 𝚌𝚑𝚎 𝚝𝚒 𝚏𝚊 𝚜𝚞𝚙𝚎𝚛𝚏𝚒𝚌𝚒𝚊𝚕𝚖𝚎𝚗𝚝𝚎 𝚜𝚎𝚗𝚝𝚒𝚛𝚎 𝚎 𝚗𝚘𝚗 𝚊𝚜𝚌𝚘𝚕𝚝𝚊𝚛𝚎.
